The skit later evolved into the classic series The Golden Girls, which retained its "Miami Nice" nickname throughout its run of seven seasons. In 1984, before the show had even started, NBC produced a television special designed to preview the network's 1984-85 fall schedule, and included in that special was a skit called Miami Nice about a group of older women living in Miami (though the show was actually shot in Los Angeles, not Miami). Miami Vice has also been directly referenced in American television, with shows such as The Simpsons, Family Guy and Saturday Night Live often spoofing the themes made famous in the series. Many subsequent law dramas, such as Homicide: Life on the Street, NYPD Blue and Law & Order, though being markedly different in style and theme from Miami Vice, have followed the show's lead in breaking the genre's mould. Today, the area is a mecca for the rich and famous. Tourism in the city received a tangible boost as result of the series' popularity, and the renovation work carried out on dilapidated buildings by the production team as part of filming led to something of a renaissance in the South Beach area-other buildings and hotels were restored, contributing to the revitalization of the area in the 1990s and the influx of celebrities and luxury hotels and clubs in the 2000s. The show had a huge effect on the city of Miami itself. The 38' KV's " Miami Vice" color scheme was also made available on other boats in their range. Sales for the Wellcraft SCARAB 38' KV went up 21% in a single year following the vessel's introduction to the series, and as a result Wellcraft produced a limited run of exact replicas. Consumer demand for the Bren Ten pistol Crockett used as his sidearm for the first two seasons became so great that Dornaus & Dixon was unable to meet its orders and went bankrupt in 1986. Miami Vice also generated huge interest in other equipment featured on the show. After Six created "Miami Vice" dinner jackets, Kenneth Cole created Crockett and Tubbs shoes, and Macy's opened a dedicated "Miami Vice" section for young men. Nevertheless, the styles portrayed in the latter seasons of the show remained popular into the early 1990s.ĭon Johnson's "designer stubble" was copied by men across America, even leading to the marketing of a specialized razor (initially called the "Miami Device", before the name was changed for fear of a legal suit) that would leave a very short layer of stubble on a man's face. Later trends established on the show, such as the harsh neon colors of Season 3, were also influential, although their popularity has not enjoyed the same lasting fame as the pastel look. Crockett and Tubbs popularized the pastel T-shirt and linen suit look to the point where today it is often considered to epitomize the clothing styles of the entire decade, despite the fact it actually only remained popular for a few years in the mid-1980s. Miami Vice had a direct influence on the fashion trends of the 1980s. " You Belong to the City" by Glenn Frey, " When the Rain Comes Down" by Andy Taylor and " Help Me Through the Night" by Phil Perry & Tim Truman were all recorded exclusively for the show, among others.ĭon Johnson became something of a style icon following his casting as Sonny Crockett Often these songs were featured exclusively in the episodes in which they were used and on the associated soundtrack albums. The situation reached a point where some acts would compose and record tracks especially for use on the show. Musicians would clamour to have their songs used in the series, occasionally arranging with the production team to have a new track appear ahead of its commercial release, hoping to increase interest. The popularity of the music used led to the release of three soundtrack albums, Miami Vice, Miami Vice II and Miami Vice III, the first of which was a huge success and reached #1 on the Billboard Top 200 Album Chart. The music used in the television series was initially merely the result of creative decisions made by the production team, but with the immense popularity of the show (and the proven impact of scenes featuring contemporary tracks, highlighted by the reception given to the "In the Air Tonight" scene), the process soon became influenced by record companies eager to have their artists featured on the show.
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